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Peter isherwell12/5/2023 ![]() ![]() Mark Rylance’s Peter Isherwell represents every billionaire and technocrat who got richer during the pandemic. And in the end, our increasing dependence on these devices enables the actions of billionaires who have a history of choosing profit over human lives. In short, there’s no escaping smartphones. At the same time, Kate uses a dieting app to keep track of when Dibiasky Comet will hit. Phones make it easier to ignore the giant comet that’s headed straight for Earth, which is a metaphor not just for climate change, but also for any impending disaster or unaddressed political reality. It’s a literal command to the viewer to not look up from their phones, because why would they, when everything they need is right there? This is a key aspect of why Don’t Look Up might be McKay’s best movie. Orlean’s “Don’t Look Up” campaign isn’t just about ignoring Dibiasky Comet. In the end, the first thing that Jason does, upon thinking that he’s the last man on Earth, is to open his phone and post a new story. BASH, the corporation that dooms Earth, is a telecom and big data company. The smartphone is a crucial part of the narrative in Don’t Look Up. Elsewhere and thousands of years into the future, Isherwell, President Orlean, and several other billionaires wake up from cryogenic sleep, walk out of BASH’s escape ships, and onto the unspoiled green surface of an oxygen-rich alien world. Ignoring the advice of scientists not on his payroll and essentially causing Don’t Look Up’s bleak ending, Isherwell tries and fails to mine rare minerals from the comet and shatter it into several harmless pieces, allowing Dibiasky Comet to end all intelligent life on Earth. President Janie Orlean (Meryl Streep), her son and White House Chief of Staff Jason Orlean (Jonah Hill), and billionaire BASH CEO Peter Isherwell (Mark Rylance), who derail the initial plan to use remote explosives to blow the comet off its course. Teddy Oglethorpe (Rob Morgan) as they try and ultimately fail to warn a distracted global population about a planet-killing comet that will collide with Earth in 6 months and 14 days. Randall Mindy (Leonardo DiCaprio), and Dr. ‘Into the Spider-Verse’ certainly reflects having a lot of content from every era in your brain all at the same time.Don’t Look Up follows astronomers Kate Dibiasky (Jennifer Lawrence), Dr. Of course, the stories we tell and how we tell them are going to change as well and reflect that. It changes the way we find and experience love. "We’re all just trying to figure out how to live in the new world. "We, legacy media, are responding in maybe subconscious ways to new media,” says Lord. Phil Lord, who with Christopher Miller has produced "The Mitchells vs the Machines” and the multiverse-splitting "Spider-Man: Into the Spider-Verse,” says the internet has profoundly influenced their approach to film. The Oscar-winning documentarian Alex Gibney on Monday announced his several months into work on "Musk,” which producers promise will offer a "definitive and unvarnished examination” of the tech entrepreneur.Īt the same time as the tech bro’s supervillainy supremacy has emerged, some movies have sought not to lampoon Big Tech but to imbibe some of the digital world's infinite expanse. "Hollywood refuses to write even one story about an actual company startup where the CEO isn’t a dweeb and/or evil,” Musk tweeted last year. Musk, himself, hasn’t publicly commented on "Glass Onion,” but he has previously had numerous gripes with Hollywood, including its depictions of guys like him. In a widely read Twitter thread, conservative commentator Ben Shapiro said Johnson was dramatizing Musk as "a bad and stupid man,” which he called "an incredibly stupid theory, since Musk is one of the most successful entrepreneurs in human history." He added: "How many rockets has Johnson launched lately?”Īctors, (L-R) Justin Timberlake, Jesse Eisenberg and Andrew Garfield pose during a photocall for the film "The Social Network," London, U.K., Oct. The Tesla and SpaceX chief executive was only one of Johnson’s real-world inspirations, some took Bron as a direct Musk parody. He’s just skating by with lies, deceit and a bunch of not-real words like "predefinite” and "inbreathiate.”Įven though Johnson wrote "Glass Onion” well before Elon Musk’s shambolic Twitter takeover, the movie’s release seemed almost preternaturally timed to coincide with it. In Johnson’s film, the tech bro/emperor bro truly has no clothes. But Bron is also, as Daniel Craig’s Benoit Blanc eventually deduces, an idiot. Norton’s eminently punchable CEO, with a name so nearly "Bro,” is enormously rich, powerful, and, considering that he’s working on a volatile new energy source, dangerous. ![]() "Glass Onion,” nominated for the best-adapted screenplay, presents a new escalation in tech mogul mockery. ![]()
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